loveEXPLORING
Fascinating vintage photos of Paris more than a century old
This is what Paris looked like in the 1800s
By Shona Jackson · October 25, 2025
Originally published on loveEXPLORING
Travel back in time to the Paris of yesteryear...
Over 100 years ago, Paris was an entirely different city from the thriving center we know and love today. Horse-drawn carts rolled down the Champs-Elysées, along with the first automobiles, and the Eiffel Tower stood proudly as a controversial new landmark. These rare images, taken from the 1880s to 1925, capture the comings and goings of daily life and reveal a city in flux, negotiating the Industrial Revolution, cultural rebellions, and global conflicts.
Click or scroll through the gallery to as we reveal what the City of Lights looked like more than a century ago...
Taken in the mid-1880s, this photo of Avenue de l'Opéra in the heart of Paris is a showcase of Haussmannian architecture, from the ornamental wrought-iron balconies to the dormer windows and Mansard roofs.
The aesthetic was named after Georges-Eugène Haussmann, the ambitious civil servant who Napoleon III, Emperor of the French, tasked with redesigning the city's overcrowded, medieval streets in 1853. The 17-year project signaled a period of radical reinvention for Paris. It saw 12,000 buildings demolished, modern sewer and water systems introduced, and the city plan carved up into the orderly avenues and districts we see today.
1888: The Eiffel Tower rises
The city's dramatic renewal was followed by the Belle Époque era, a period between 1871 and 1914 defined by relative peace, prosperity, and technological advancements.
It was during this time that Paris's most famous landmark, the Eiffel Tower, was built. Its intricate metal framework is pictured here in 1888 in an early phase of construction. The impressive landmark took two years, two months, and five days to complete and was declared the tallest building in the world until New York City's Chrysler Building overtook it in 1930.
1889: The World's Fair comes to Paris
One reason for the tower's speedy construction was the arrival of the 1889 Exposition Universelle, also known as the World's Fair – an international exhibition of scientific, industrial, and artistic innovations. Finished two months before the event, the Eiffel Tower was the fair's centerpiece.
In this photo, taken shortly after construction concluded, pedestrians pass beneath the vast structure. During the fair, which ran for almost six months, just under two million visitors scaled the landmark via its lift or stairs. In the background here is the ornate Dôme Central, one of numerous elaborate buildings made specially for the exhibition, which marked 100 years since the French Revolution.
1889: Carriages on the Avenue des Champs-Élysées
Ranked among the world's most beautiful thoroughfares, the Avenue des Champs-Élysées is captured here in 1889 before the rise of the motorcar. Instead of lanes of traffic, horse-drawn carriages, carts, and even a double-decker bus traverse the road, with the iconic Arc de Triomphe just visible in the distance.
Former marshland transformed into a royal road by King Louis XIV in the 1600s, it wasn't until the 19th century that the Champs-Élysées was established as the city's prime commercial artery, lined with the storefronts of the most prominent brands of the time.
1890: Woodworkers in a coach factory
The grand coaches that paraded along the Champs-Élysées may have been made by these metalworkers and woodworkers, photographed in a Parisian coach factory in 1890. On the right, you can glimpse what looks to be the woven seat and metal exterior of one of the vehicles.
The Industrial Revolution had a profound impact on Paris's landscape in the 19th century. By 1896, the center of Paris was home to more than 2,000 factories, with many more in the suburbs. The influx of lower-class workers contributed to the swelling population, which grew from 1.2 million in 1851 to just under 2.5 million by 1891. Many of these new arrivals lived in makeshift housing in the outer districts.
c.1900: Cheese merchants flog produce in Les Halles
A valuable addition to the city during this period was Les Halles, a vast covered market that became one of the area's most important commercial hubs. Its dramatic iron-and-glass design, which replaced an earlier, more informal marketplace, was the vision of French architect Victor Baltard.
This turn-of-the-century image captures the bustling chaos of Les Halles, and we can see shoppers browsing produce at a cheese stall, the floor scattered with straw. The sprawling pavilions sold everything from meat, fish, and vegetables to flowers and curios. The market was so crucial to the day-to-day lives of city dwellers that it was dubbed "the belly of Paris."
1900: The magnificent Moulin Rouge
The Moulin Rouge, one of the world's most recognizable entertainment venues, is pictured in this photo from around 1900. The daring cabaret in the bohemian district of Montmartre opened its doors on October 6, 1889.
The brainchild of showman Charles Zidler and entrepreneur Joseph Oller, the riotous music hall featured clowns, acrobats, and tightrope walkers, as well as a mirrored dance floor where the French cancan was popularized. Its iconic red windmill references the venue's formerly rural location, which used to comprise rolling acres of vineyards and agricultural turbines.
Early 1900s: The spectacle of outdoor theater
Outside, the Moulin Rouge had a garden theater with shows, donkey rides, and a supersized elephant statue, made famous in the 2001 film Moulin Rouge! starring Nicole Kidman. The surreal spectacle is captured here in the early 1900s.
Zidler and Oller reportedly purchased the elephant at the World's Fair in 1889, the same year the venue opened, and it became an emblem of the cabaret hall. By this time, Montmartre had become synonymous with escapism and freedom – a place that defied social norms. Its cabarets and café-concerts were subversive and satirical, and were also rare spaces where the bourgeoisie and working classes collided.
1905: The construction of the Paris metro
While the bright lights of Montmartre may have provided a fleeting distraction for poorer folks, the toil of daily life was often grueling. Many sought work as laborers supporting Paris's ever-expanding infrastructure. One of the largest projects in the early 1900s was the creation of the city's metro system, overseen by civil engineer Fulgence Bienvenüe. The first line was completed in 1900, with more soon added.
The project was arduous, requiring thousands of laborers to work day and night. As you can see from this 1905 photograph, the working conditions were often claustrophobic and precarious.
Liking this? Click the Like button above. And click the Follow button above for more great stories from loveEXPLORING
c.1905: Interior of Printemps department store
Metro lines linking the suburbs to the center increased the accessibility of Paris's commercial avenues and its growing number of department stores. One of the city's most famous retail spaces, still in operation today, is Printemps. Opened in 1865, it quickly became a Parisian institution.
The store was ravaged by a fire in 1881, but the rebuild was even more spectacular. Topped with a glass roof, the overhauled interior was declared a "cathedral of commerce," and became the first public building in Paris to be lit by electricity in 1883.
c.1905: Marie Curie in her laboratory
The turn of the century was an extraordinary time for scientific progress. There were exciting advancements in electricity, wireless telegraphy, and astronomy, as well as chemistry.
Pictured here in her Paris lab around 1905, acclaimed chemist and physicist Marie Curie moved to the city in 1891 from her native Poland. Alongside her husband, Pierre Curie, she dedicated her time to the study of radioactivity. Their first laboratory was an old wooden shed in a courtyard of Paris's Advanced Industrial Physics and Chemistry Institute, but despite their humble workspace, the Curies discovered two new elements in 1898, radium and polonium. They received the Nobel Prize for Physics in 1903.
1910: A high-society dining room
This ornate dining room, photographed in 1910, was part of an elaborate mansion on Rue de Longchamp. Situated in the 16th arrondissement, across the river from the Eiffel Tower, the neighborhood's Haussmannian properties have been home to Parisian high society since the 19th century.
The 16th arrondissement, along with most of the other affluent districts of the time, is located in the west, upwind from what was then the poorer and more industrial east. Because of this, wealthy Parisians enjoyed less polluted air. It was also common for rich families of the time to have a brigade of servants who maintained the household and cared for their children.
1910: The Great Flood of Paris
Nature, as they say, is the great equalizer, and when floodwater submerged Paris in 1910 it had a devastating impact across its districts. In a rare 100-year flood, the Seine burst its banks due to oversaturated soil and an overwhelmed sewage system, leaving swaths of the city underwater for two months.
Thousands were evacuated, and those who stayed had to find novel ways of navigating the city, which now looked more like Venice. This photo shows workers and police using boats in the streets of the 7th arrondissement near the Palais Bourbon, the flooded seat of the National Assembly. Elsewhere, wooden walkways were built to help residents access parts of the city that had been cut off.
1913: Makeshift housing in the Zone
In the city's poorest areas, strife was part of everyday life long before the flood. The most deprived region was known as the Zone – a ring of land between the city center and suburbs that was intended as a vacant military zone. Instead, it became a refuge for Paris's poorest, who had been pushed out of the city during its redevelopment. Shacks, sheds, and caravans reclaimed this marginal no-man's land.
French photographer Eugène Atget documented living conditions in these improvised settlements in the early 1900s. He captured the makeshift home of this family in the Porte d'Asnières area in 1913. Many of the people residing here were day laborers and ragmen, who made a living collecting and selling refuse.
1914: Paris braces for World War I
The peace of the Belle Époque era came to a sudden end in 1914 when Germany declared war on France. World War I, sparked by the assassination of Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, sent shockwaves through Europe. Pictured here in the year war broke out, Parisian landmarks and statues were fortified with protective wooden frames and sandbags to shield them from German attacks.
The caution was warranted, as Paris experienced devastating bombings over the next four years. The onslaught was so bad that the French government commissioned the construction of a fake Paris, in the hope it would fool German pilots during night air raids.
1914: A relief station for refugees
The invasion of Belgium in 1914 and the presence of the encroaching German Army in northeast France resulted in an influx of Belgian and French refugees arriving in Paris.
This 1914 photograph depicts nurses tending to new arrivals in a makeshift relief station set up in the customs room of the Gare du Nord train station in the heart of Paris. A bed of straw provides a place for the weary refugees to lay their heads, while blankets are being dispatched by the nurses. German forces got to within around 30 miles of Paris, but the invasion never reached the City of Lights.
1916: A hub for intellectuals
Despite the ongoing war, Paris remained a vibrant intellectual center. Many of its great thinkers were directly or indirectly involved in war efforts, yet the city still served as a space for reflection and artistic expression.
Pictured here on the far right in 1916 is artist Pablo Picasso, whose neutral Spanish citizenship excluded him from fighting, alongside other luminaries including French poet and artist Max Jacob, playwright Jean Cocteau, and Chilean painter Manuel Ortiz de Zárate. The group stands outside Café de la Rotonde, which was a hub for creatives of the era who had swapped Montmartre for Montparnasse, a district on the left bank of the Seine.
1920: A Renault vehicle production line
Following an armistice in November 1918, World War I officially ended in June 1919 with the signing of the Treaty of Versailles in Paris, and life slowly began to return to normal in the city. French vehicle manufacturer Renault, which had repurposed its Boulogne-Billancourt factory in the suburbs of Paris to produce shells and Renault FT tanks during the war, turned its focus back to motorcars.
This photo from 1920 shows a production line of trucks on the left, alongside rows of convertible cars. The age of the automobile had arrived, and motorcars gradually became household essentials.
1922: A chess champion visits Café de la Rotonde
The Roaring Twenties signaled a new era of liberation and cultural freedom in Paris. The city's deeply ingrained café culture was reignited, and Montparnasse became a breeding ground for creative movements like surrealism and dadaism, as well as a meeting place for intellectuals.
Professional Franco-Russian chess player Alexander Alekhine is shown here in the aforementioned Café de la Rotonde in 1922, playing simultaneous chess games. Members of the Lost Generation, a group of American expat writers who came of age during World War I, were also patrons of the café. Among them were The Great Gatsby author F Scott Fitzgerald and novelist Ernest Hemingway.
1923: A sanctuary for exiled Russian royalty
Paris has a long history of providing sanctuary to political refugees. This photo shows Russian Grand Duchess Marie Pavlovna alongside the Dowager Empress Marie Feodorovna. Both were forced into exile after the Russian Revolution in 1917, which saw the monarchy overthrown.
After fleeing her homeland, the Grand Duchess discovered a talent for dressmaking and reinvented herself as a designer. The former royals are pictured in 1923 at Kitmir, Pavlovna's embroidery atelier in Paris, where she employed dozens of Russian refugees. Pavlovna developed a close relationship with fashion mogul Coco Chanel, and Kitmir was even contracted by the brand to create embroidery for Chanel's 1922 collection.
1924: International theater stars flock to Paris
The birthplace of cabaret, Paris continued to draw stars from around the world during the 1920s Jazz Age. This image shows six members of the Ziegfeld Follies, a lauded American theater group, posing in front of the Arc de Triomphe in 1924. The troupe had been invited to Paris to perform at the New Moulin Rouge Revue to much acclaim.
The Follies' shows encompassed comedy routines, dance numbers, solos, and fashion spectacles. The group was the brainchild of theater producer Florenz Ziegfeld Jr, and helped launch the careers of Broadway legend Marilyn Miller and actresses Barbara Stanwyck and Paulette Goddard.
1925: A new chapter for the city's artisanal industries
The 1920s signaled a shift in traditional societal constraints, and women in particular embraced more diverse employment opportunities than before. Even the city's closely guarded artisanal textile industries were disrupted.
Photographed here in 1925, 17-year-old Marguerite Loger was the first female artisan to be employed by the Manufacture des Gobelins, producers of ornate Parisian tapestries and carpets since the 15th century. It was a highly skilled job that required years of study, and workers could typically finish little more than a square yard of carpet per year.
Liking this? Click the Like button above. And click the Follow button above for more great stories from loveEXPLORING
Get this week's biggest stories
Hand-picked every Thursday from loveMONEY, loveFOOD, lovePROPERTY and loveEXPLORING.
- 100% free
- No spam, ever
- Join 1M+ readers
love inc.
This week's biggest stories
1m+ follow love Inc.